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| B | E | F# | B | You | say that | we’ve got | nothing in | common, |
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| E | F# | B | no | common | ground to | start from, |
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| E | F# | B | E | F# | and | we’re fal | ling a | part. | | |
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| B | E | F# | B | | You’ll say, 3the | world has | come be | tween us, |
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| E | F# | B | our | lives have | come be | tween us, |
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| E | F# | B | E | F# | but I | know you | just don’t | care. | | |
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| | B | F# | E | | And | I said, What about | Breakfast at | Tiffany’s |
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| | B | F# | E | | | She said, I think I re | member the | film |
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| | B | F# | E | | and as | I recall, I think, we | both kinda | liked it. |
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| | B | F# | E | | And | I said, well, that’s the | one thing we | got. |
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| B | E | F# | B | I | see you - the | only | one who | knew me, |
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| E | F# | B | and | now your | eyes see | through me. |
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| E | F# | B | E | F# | I | guess | I was | wrong. | | |
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| B | E | F# | B | So | what now? It’s | plain to | see we’re | over, |
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| E | F# | B | and I | hate when | things are | over, |
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| E | F# | B | E | F# | when | so much is | left un | done. | | |
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