| E | Abm | A | E | | Opera | tor could you | help me place this cal | l. |
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| F#m | B | C#m | B | | See the number on the | matchbook is old and | faded. | |
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| E | Abm | A | E | | She's living in L | .A., with my best | old ex-friend ray | . |
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| F#m | B | C#m | B | | A guy she said she | knew well and sometimes h | ated. | |
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| E | A | E | | | Isn't that the w | ay they say it g | oes. |
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| A | B | | Let's fo | rget all t | hat, |
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| E | F#m | | and g | ive me the number if you | can find it, |
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| B | C#m | A | | just t | o tell them I'm f | ine and to sh | ow, |
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| B | A | | I | 'm overcome With | glow(?) |
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| A/Ab | | Learned to take it wel | l. |
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| F#m | E | | I only wish my | words could convince | myself |
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| B | A | | that it just wasn't r | eal. But that' | s not the way it feels. |
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Operator could you help me place this call. I can't read the number that you |
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just gave me. There's something in my eyes, you know it happens everytime I |
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think about a love that I thought would save me. |
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Operator, you can forget about this call. There's no one there I really |
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wanted to talk to. Thank you for your time, you've been so much more than |
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kind, but you can keep the dime. |
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